This is the second volume of Harlan's fantasy sequence "The
Other Empire", which began last year with Shadow of Ararat. As it
appears that these are the beginning of a series rather than the first
two books of a trilogy, the overall work will be vast. The setting is an
alternate Rome, where the Western Empire never fell, and where a
recognizably Roman society survived into the seventh century AD. Here
magic is common and institutionalized, particularly in Roman legions
composed of magicians. The basic conflict in the first book was between
the two halves of the Roman Empire on one side and the Persians on the
other, but now the stage is opening out, other peoples are drawn into
the conflict, and Rome in both East and West is under threat.
When I reviewed the first volume I said that the pace of the story
suffered through the detailed description and building up of the
background. I feel this is also true - perhaps even more so - of the
second volume. The amount of research that Harlan has done is
impressive, and the world of his imagination is vividly authentic. Scene
by scene it works, yet I felt that for most of the book the thrust of
the story was swamped by the detail. I found it hard to tell where it
was going, and in many cases the motivations of the characters were
obscure. Only in the final section did the threads come together in a
compelling sequence.
Stylistically the book is uneven. I was irritated by Harlan's habit of
beginning a sentence with 'Too,' (in the sense of 'also'), and that he
doesn't seem to know that the word 'magi' is plural. This may seem like
nitpicking, but it's enough to jerk this reader at least out of
engagement with the story. Another point I would question is his use of
Latin words in the dialogue of characters who are, presumably, speaking
Latin throughout; again, it breaks the illusion of reality.
There is much to admire in this book, and I want to know where he will
take the story next, particularly as many of his characters suffered
'cliff-hanger' endings. However, I feel that it could be much better if
Harlan were more selective, so that readers don't lose sight of the
basic thread of his plot. Prospective readers should begin with the
first volume; there's too much complexity to pick up the story part way
through. ~ Cherith Baldry, Vortex (UK) September 2000.
Persia has been conquered, but all is not well with the world. THE
GATE OF FIRE follows THE
SHADOW OF ARARAT in Thomas Harlan's Oath of Empire series. Galen,
Roman Emperor of the West, returns home in triumph. His youngest
brother, Maxian, continues his efforts to overcome the curse/blessing
that preserves Rome at the cost of progress--only to learn that this
curse is fully embedded in the body of Galen. His efforts to help Rome
have led him to kill innocent people, betray his friends, and raise the
dead. Finally, he must confront what he has become--and decide if he is
worse than what he is fighting. Dahak, the great Persian wizard, works
to raise the Persian Empire from the destruction into which Rome has
thrust it. A new force, led by Mohammed, rejects both empires and
marches on the Eastern Roman Empire.
Thomas Harlan has created a compelling and complex world. Multiple
strands, in the Eastern Empire, Persia, Arabia, and Rome itself
interweave and separate. Harlan's characters are complex and flawed.
Dahak is certainly evil, but is he more evil than Maxian? The Eastern
Empire betrayed its client state of Palmyra, but Mohammed and Zoë
(heir-apparent to the Palmyrene throne) go beyond normal revenge in
their desire to take revenge against it--especially when Dahak remains
alive and powerful.
If anything, THE GATE OF FIRE is even more disturbing than THE
SHADOW OF ARARAT. Before, mighty nations tore one another apart. Now,
brother is set against brother, friend against friend. Sometimes
betrayal is the only way to serve. This alternate history, in which
magic works and Christianity never took hold, will capture the readers
attention. : Three Stars. ~ Reviewed by www.booksforabuck.com
Science Fiction section.
Thomas Harlan has constructed his ancient Rome in a
magical world so real that I could almost believe he traveled to
it. Gate of Fire (hard from TOR) is the second part (of four) of a sixth
century Rome in which the western half not only survived, but prospered
because of magic. The Shadow of Ararat (paper) told us how the Western
Emperor went to help the Eastern Emperor in his war with the Persian
Empire. Now, in the aftermath of that war, civilization slowly returns,
friends become enemies, and a sorcerer begins his attempt at becoming
ruler of the ruined Persian Empire. But most of the book tells us of the
rise of Islam, and of a prince of Rome who is thwarted in his attempt at
healing his home of an evil spell. I like the small touches here, the
living vampires and the walking dead (risen by sorcery) such as Caesar
and Alexander the Great. I'm looking forward to the continuation of this
fun tale. I like being in the firm hands of a great storyteller. ~ Henry
Lazarus, www.sciencefiction.com
July 2000.
As Prince
Maxian attempts desperate measures to free Rome from a powerful curse,
his brother Galen, emperor of the Western Roman Empire, returns from the
war with Persia to a trouble-filled city. In the East, a merchant prince
known as Mohammed answers a divine call and gathers followers to his
holy cause, while a sorcerer traffics in dark magics in pursuit of
earthly power. Harlan's sequel to The Shadow of Ararat continues an epic
tale of alternate history set in a seventh-century setting where the
twin Empires of Rome rule the known world through might and magic.
Strong storytelling and complex characters make this historical fantasy
a good choice for most libraries. ~ Library Journal (Copyright
2000 Cahners Business Information.)
In the sequel to The Shadow of Ararat , promising fantasist Harlan
handles his material rather like the director of an Indiana Jones-like
action movie. The scene is an alternate Rome in which a sorcerer, Dahak,
is in hiding, while Prince Maxian has resurrected Julius Caesar and
Alexander the Great for the sake of saving Rome from both material and
magical opponents. Meanwhile, rival sorcerer Dwyrin is going down to
defeat, and Palmyra's Queen Zoe vows vengeance on Rome for destroying
her homeland. And in Mecca, the exiled Palmyran Mohammed receives a
vision and a command that will make him a potent force for good--or so
he thinks. The book's grand total is two sorcerers, three queens, three
or four prophets, three or four armies, and enough secondary characters
and entities to require a cast list, which Harlan doesn't provide. This
is, however, undeniably a page-turner, one infused with a feel for the
historical that bodes well for its successors. ~ Roland Green,
Copyright © American Library Association. All rights reserved
There's no doubt about it: Thomas Harlan is a marvelous
talespinner. In first novel The Shadow of Ararat, he handled a large
cast of characters driven by diverse faiths, philosophies, and passions,
through action spanning two empires - at once alternate history and a
fantasy whose magic had elements of both advanced technology and grisly
horror - all this with apparent ease. Book Two of what turns out to be
''The Oath of Empire'' series, The Gate of Fire, displays even
more authorial chutzpah, with equally good results. Though this version
of the world around 620 A.D. has never known Christianity and worships
various gods, a stern monotheism is developing nonetheless, thanks to
the man described in the book's Dramatis Personae as ''Mohammed, A
Merchant Prince of Mekkah.'' (Yes, that Mohammed, and we'd call the
place Mecca.) Harlan invests his unorthodox take on the founder of Islam
with a combination of human emotion (vengeful fury after the murder of
his daughter), ecstatic vision (messages from his One True God), and
what may be a form of this world's primal magic, seen gleaming in his
eyes: ''some blue-white flame that sparked and flared like a hammer in
the forge.'' Neither hero nor villain, Mohammed makes his way through
his world's tangle of politics and scheming, religion and sorcery,
intent on his purpose. The same might be said of another character, who
figured more prominently in the first book. Maxian Atreus, brother to
the leader of the Western Roman Empire, is at once healer, scientist,
and practitioner of the darker arts - all in the service of a good
cause, as he sees it. In Ararat, he turned his
skills to the making of weapons for his brother's war with Persia. Now
Maxian goes back to his original concern, the Oath of Empire, in his
view a curse which has both preserved Rome as a place of majesty and
power and kept it from needful change. When he discusses the Oath with
two characters he has literally raised from the dead, Alexandros
(Alexander the Great) is slow to grasp the power of abstract ideas,
until Maxian cites the example of honor as something you can't see or
touch, ''But it affects you, it affects me, and through us it affects
all around us. So it is with the curse - this idea of an Empire of Rome
- all fixed in its expression at the time of the Divine Augustus.'' This
draws an indignant snort from Gaius (Julius Caesar), who scarcely views
his successor as a divinity, or empire as anything to be shunned. Still,
Maxian persists, until he's able to describe the concept which lies at
the heart of Harlan's series and its forms of magic:
This is the core of the power of the Oath - the Empire that should
exist lives in the minds of men, in their memories of the past and
belief of how things should be. So are these lattices of form
maintained, but then the Oath has the ability to seek out and destroy
those who would change that fabric of memory. Too, it can exalt those
who would reinforce or maintain these beliefs.... The Oath freezes the
Empire in amber, a trapped fly with a beating heart.
The genesis of religions, the extraordinary power of abstractions - this
is no lightweight material being dealt with. But Harlan manages to work
it all into a complex tapestry of plotlines, filled with grand passions
and spectacular events. The book's one true villain, Persian sorcerer
Dahak, can conjure up some literally hair-raising atmospheric forces,
and Maxian is no slouch himself. Both of them manage to make the dead
walk, as lightning sizzles and thunder booms, and the author is clearly
enjoying himself amidst the mayhem. While both philosophical
conflict leading to war and splashy special effects might seem to
emphasize supposedly ''masculine'' aspects of Harlan's world, he doesn't
neglect its women. The spirit of feminism has an island sanctuary, home
to its own warriors, philosophers, and other interesting personalities,
some of whom go out into the world with plans to change it. And we see
Maxian largely through the eyes of Krista, a slave who has become his
genuinely loving companion yet also secretly opposes some of the more
drastic measures he adopts in his quest to overcome the Oath. For all
that I've discussed so far, I've barely managed to scratch the surface
of this book, and the larger project it belongs to. Just the list of
maps at the front can conjure up vast, exotic expanses - The Persian
Empire, The Roman Empire, the cities of Petra, Constantinople, Roma
Mater, and Hierosolyma (Jerusalem), all places Harlan vividly invokes.
That last site may also give a clue to where the tale is headed. The Shadow
of Ararat centered around the lovely, sophisticated city of Palmyra,
destroyed in the course of war involving Romans, Persians, and others.
The Gate of Fire investigates many consequences of that war -
including even Mohammed's rejection of the two empires and their faiths.
And toward the end of this book, a number of primary characters begin to
turn their attention to what we'd call the Near East, in particular
Hierosolyma. What's to come? Well, Volume Three will be The Storm of
Heaven, and there may be more to follow. But this is no standard
continuing fantasy series, endlessly recycling clichés. Thomas Harlan
sinks his teeth into some very meaty subjects, and it's a pleasure to
join him at the feast. ~ Faren Miller, Locus,
May 2000
The Gate of Fire: Book Two of the Other Empire -- the vast,
fantasy-epic sequel to Thomas Harlan's acclaimed debut, /The Shadow of
Ararat/ (1999) -- tells a series of overlapping stories about war and
sorcery. In capably lavish prose, Harlan describes Prince Maxian's plans
to use Alexander the Great and Julius Caesar (whom he has resurrected
from the dead) to free Rome from a curse; Dahak the sorcerer's plans to
regain his past glory; Mecca's lieutenant Mohammed's battle against
darkness; and other related events. But this is not a novel for
newcomers; the complicated plot, profusion of characters and imprecisely
described setting -- though no problem for Harlan enthusiasts -- will
likely confuse those who haven't read the first installment. ~
Publisher's Weekly - May 1, 2000